Stephen Ongpin Fine Art
Born in a small Bavarian village near Munich, Hubert Herkomer emigrated with his family to America in 1851, but returned to Europe to settle in England in 1857. He received a rudimentary training from his father, a woodcarver, and studied briefly at the Akademie in Munich and the South Kensington Schools in London. Herkomer began his career as an illustrator, providing a series of scenes of contemporary urban and rural life for The Graphic magazine throughout the 1870’s, popular images that first established his reputation. Herkomer’s earliest independent paintings were genre scenes – both of London and Bavarian subjects - and portraits, and soon earned him considerable success. He made his home in the town of Bushey in Hertfordshire in 1873, establishing his studio there, and in 1883 he founded an art school in the town, attracting a large number of artists to the area. From 1870 he would also spend several months each year in Germany, becoming friendly with such artists as Adolph von Menzel.
Elected to the Royal Academy in 1890, Herkomer exhibited there regularly, and also showed at the Grosvenor Gallery and the New Gallery in London, as well as in Paris, Vienna, Munich, Berlin and Hamburg. An excellent portraitist, he depicted many of the most eminent persons of the day, including fellow artists such as John Singer Sargent and John Ruskin, whom he succeeded as Slade Professor at Oxford in 1885. Between 1882 and 1883 and again in 1885 and 1886 he spent several months in America, where he received several significant portrait commissions. By the turn of the century Herkomer was firmly established as one of the most famous painters of the Victorian era, and a celebrity in both England and Germany. Knighted in England in 1907, Herkomer published his memoirs in 1910, four years before his death. Although best known today as an artist, Herkomer was also a musician and composer, a pioneering filmmaker - producing costume dramas accompanied by his own music - and a motor racing enthusiast.
As may be supposed from his early success as an illustrator, Herkomer was a gifted draughtsman, working extensively in pen and ink as well as watercolour and gouache. Writing in 1901, the artist’s contemporary biographer A. L. Baldry noted of Herkomer that, ‘though his drawings have become fewer as other artistic responsibilities have crowded upon him, they have lost none of their distinctive quality and none of their beauty of style…The technical skill he has consistently displayed in this method of expression can, indeed, be very sincerely praised. Even in his slightest and hastiest productions the power with which he has used his materials is unhesitating and free from all hint of careless compromise.’