David Moss
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Tuscan wooden poles have their place in classic Italian art

13/05/2012

CONTEMPORARY art has seen an unprecedented rise and rise in the past couple of decades and the whole art world has responded in different ways.

There is no reason why established dealers in traditional areas should shun the contemporary and I was reminded of this by an exhibition ‘Cataste’ showing at Trinity Fine Art, for nearly three decades renowned international dealers in the best European sculpture and Old Master paintings and drawings, mainly Italian, in Bruton Street, W1 until May 25.

It offers understated and evocative sculptures and drawings by Florence-born Nicola Lazzari based on cataste, the stacks of wooden poles dotted throughout the fields and vineyards of Tuscany which serve many functions from fencing to supports for rows of vines.

This show by a gallery based in Mayfair and Milan in no way undermines their main commitment to traditional Renaissance and later classic art and well illustrates how astute and thoughtful dealers in the old can embrace the spirit of the new.

Nicola Lazarri Catasta appogiata all’albero Stack of poles leaning against a tree Black chalk on paper, 2010

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