Results for 'Sickert Walter Richard'

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Courtesy of Stephen Ongpin Fine Art

Walter Sickert once described Venice as ‘the loveliest city in the world’, and made several visits there, first briefly in 1894, and again in 1895-1896, 1900, 1901 and 1903-1904, staying for several months each time. He produced a large number of drawings, oil sketches and finished paintings of Venetian subjects. As Robert Upstone has noted of Sickert, ‘For nearly a decade Venice formed the dominant subject in his art and the city inspired him to discover new modes of expression. Through hard work and experimentation in Venice, Sickert became the painter who was to be recognized as the most significant figure in early Modern British art. In short, Venice was the crucible in which Sickert’s mature work was formed.’ The Sickert scholar Wendy Baron has written that, ‘Like many artists before him, Sickert was bewitched by the unique landscape of Venice. He chronicled both its great sites and its quiet backwaters.’ During his first proper campaign of painting in Venice, in 1895 and 1896, Sickert wandered throughout the city, making numerous drawings and painting oil sketches. As he wrote to his friend, the painter Phillip Wilson Steer, during this visit, ‘Venice is really first-rate for work…and I am getting some things done. It is mostly sunny and warmish and on cold days I do interiors in St. Mark’s.’