Description & Technical information

Date:  1951
Period:  20th century
Origin:  Belgium, France
Medium: Oil on panel
Signature: Signed, dated and titled on the reverse

Dimensions: 42 x 48 cm (16¹/₂ x 18⁷/₈ inches)
Provenance: Georges Vantongerloo, Paris
Lilian Florsheim-Goldberg, Chicago (straight from the artist)
Literature: Helmhaus, Konkrete Kunst, Zurich, 1960, p. 37 nr. 84 ill.
Margit Staber, Konkrete Kuns, serielles Manifest X 11, ed. Galerie Press,
St. Gallen, 1966, p. 8
Corcoran Gallery of Art / Museum of Fine Art / County Museum of
Art, Georges Vantongerloo, Washington / Dallas / Los Angeles, 1980, p. 173 ill.
Max Bill, Georges Vantongerloo, KMSKB, Brussels, 1981, p. 173 ill.
Kunsthaus, Georges Vantongerloo, Zurich, 1981, p. 173 ill.
Guy Brett e.a., Georges Vantongerloo, a Longing for Infinity, Reina Sofia,
Madrid, 2009, p. 149 ill.
Peter J.H. Pauwels, Huib Hoste en zijn tijdgenoten. Belgische Avant-Garde 1914-1930,
Galerie Ronny Van de Velde, Knokke, 2018, p. 299 ill
Exhibitions: New York, Rose Fried Gallery, 1953
Zurich, Helmhaus, Konkrete Kunst, 1960
Washington, Corcoran Gallery of Art, Georges Vantongerloo, 1980
Dallas, Museum of Fine Arts, Georges Vantongerloo, 1980
Los Angeles, County Museum of Art, Georges Vantongerloo, 1980
Brussels, KMSKB, Georges Vantongerloo, 1981
Zurich, Kunsthaus, Georges Vantongerloo, 1981
Elkhart, Indiana, Midwest Museum of American Art, Geometric
Abstraction, 1985
Madrid, Reina Sofia, Georges Vantongerloo, 2009-2010
Knokke, Huib Hostes Huis, Huib Hoste en zijn tijdgenoten. Belgische Avant-Garde 1914-1930, 2018
Categories: Paintings, Drawings & Prints