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Les Peupliers à Eragny
Provenance:
Paul-Emile Pissarro, Paris (acquired by descent from the artist)
Hugues Claude and Katia Pissarro (acquired by descent from the above)
Neffe-Degandt Gallery, London (acquired from the above circa 1992-93)
Private Collection (acquired from the above in 2002)
Thence by descent to the present owner
Literature:
Ludovico Rodo Pissarro and Lionelli Venturi, Camille Pissarro, son art, son œuvre, Paris, 1939, vols. I & II, no. 1608, p. 301; illustrated vol. II, pl. 306 (dated circa 1902)
Exhibited:
London, JPL Fine Arts, Oeuvres choisies, 1992-93, no. 35;
London, JPL Fine Arts, Camille Pissarro, Paintings, Pastels, Watercolours and Drawings, 1993, no. 15, illustrated;
Fort Lauderdale, The Museum of Art, Impressionism to the Present: Camille Pissarro and His Descendants, 2000, no. 37, illustrated (titled Poplars à Eragny)
Paul-Emile Pissarro, Paris (acquired by descent from the artist)
Hugues Claude and Katia Pissarro (acquired by descent from the above)
Neffe-Degandt Gallery, London (acquired from the above circa 1992-93)
Private Collection (acquired from the above in 2002)
Thence by descent to the present owner
Literature:
Ludovico Rodo Pissarro and Lionelli Venturi, Camille Pissarro, son art, son œuvre, Paris, 1939, vols. I & II, no. 1608, p. 301; illustrated vol. II, pl. 306 (dated circa 1902)
Exhibited:
London, JPL Fine Arts, Oeuvres choisies, 1992-93, no. 35;
London, JPL Fine Arts, Camille Pissarro, Paintings, Pastels, Watercolours and Drawings, 1993, no. 15, illustrated;
Fort Lauderdale, The Museum of Art, Impressionism to the Present: Camille Pissarro and His Descendants, 2000, no. 37, illustrated (titled Poplars à Eragny)
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