Description & Technical information
The commode belongs to a group of almost identical outline, with the same unusual brass husk handles. The veneers used are generally of the finest quality, with relatively sparse use of brass mounts. The outline is of French origin, suggesting a cabinet-maker who had either worked in France for some time or had worked with a French cabinet-maker in England. Recorded examples include one made for the Duke of Norfolk for Norfolk House, London, and another, now in a private collection in São Paulo, is illustrated in 18th Century English Furniture: The Norman Adams Collection.
The commode retains all the original brass handles and mounts.
Date: circa 1765
Period: George III
Origin: English
Medium: Mahogany
Literature:
Anthony Coleridge, Chippendale Furniture: The Work of Thomas Chippendale and his Contemporaries in the Rococo Style, 1968, fig. 234.
Christopher Claxton Stevens and Stewart Whittington, 18th Century English Furniture: The Norman Adams Collection, 1983, pp. 388-9. Lucy Wood, Catalogue of Commodes, 1994, p. 332.
Categories: Furniture
Discover the gallery
Ronald Phillips Ltd
18th Century and Early 19th Century English Furniture, Objets d’Art, Glass, Clocks and Barometers
More Works From This Gallery
Ronald Phillips Ltd
A George III mahogany armchair
Ronald Phillips Ltd
An Irish mirror
Ronald Phillips Ltd
A PAIR OF GEORGE III SIX LIGHT ORMOLU MOUNTED CUT GLASS CHANDELIERS
Moses Lafount
Ronald Phillips Ltd
THE HAREWOOD HOUSE MIRROR
Thomas Chippendale
Ronald Phillips Ltd
A REGENCY BRASS MOUNTED ROSEWOOD WRITING TABLE
MARSH & TATHAM
Ronald Phillips Ltd
A small pair of regency cut glass six light chandeliers
John Blades