Description & Technical information

This Safavid miniature painting depicts a scene from the A’inah-yi Iskandari (Alexander’s Mirror), one of five chapters from Amir Khusrau Dehlavi’s Khamsah (Quintet). Iskandar (Alexander the Great) partakes in a feast with the women from his harem to celebrate his successful campaign in China. Kanifu, a beautiful female warrior who joined Iskandar’s retinue when defeated in battle, plays the harp. In addition to describing Iskandar’s military conquests, the A’inah-yi Iskandari also relates his scientific fascination with measuring the depths of the ocean and his spiritual mission for the ‘water of life’. 
In this version of the scene Iskandar is depicted centrally sitting on his throne, rendered slightly larger in scale than the others to indicate his status. A tray with pomegranates is presented to him, while surrounding attendants celebrate and drink wine. They sit on the grass among flowers with a stream passing below. The scene is set against a pale mauve landscape implying rocks, with flowers, small tufts of grass and a gold sky. Four gold columns of script fill the upper and lower field of this painting, containing two lines of naskhi script outlined in white.
For examples of this scene from other manuscripts, see Brend, p.132, pl. 33; p. 144, pl. 53; p. 164, pl. 63; p. 222, pl. 90.

Stock no.: A4665

Date:  Mid-late 16th century
Period:  1400-1600, 16th Century
Origin:  Iran, Shiraz
Medium: Ink, Opaque watercolour, Gold on paper
Dimensions: 19.5 x 16 cm (7⁵/₈ x 6¹/₄ inches)
Provenance: Private European Collection, last sold at French auction in 1984

Literature: Brend, B. Perspectives on Persian Painting: Illustrations to Amir Khusrau’s Khamsah, Routledge, London & New York, 2003
Sharma, S. Amir Khusraw: The Poet of Sultans and Sufis, Oneworld Publications, London, 2005.

Categories: Illuminated Manuscripts & Medieval Works of Art, Oriental and Asian Art