Description & Technical information

European Market

Price:  £14,500

A rare Chinese export porcelain dinner plate decorated with a European subject scene in bright famille rose, the rim with a blue scrolling foliage border.

    This scene shows Earth by Francesco Albani (1578-1660) one of a series of the four elements, painted between 1625-8 for the Cardinal of Savoy, later King of Sardinia, and which are now in the Galleria Sabauda, Turin.  Cybele is seated in her chariot surrounded by personifications of three of the Seasons (Flora as Spring; Ceres as Summer and Bacchus as Autumn) but harsh Winter is absent as Albani intended to flatter the Cardinal’s sunny disposition. A copy attributed to Poussin is in the Galleria d’Arte Bodda, Turin.
    All four designs are known on Chinese plates and teawares, their tondo format fitting very well. There appear to be two orders of the plates, one with a blue border like this and the other with a gilt foliage rim border. There are also differences in the placement of the composition within the circle, suggesting a different workshop or set of painters for each order.

    The series was engraved by many different artists including: 
    -Étienne Baudet (1636-1711) circa 1695, ‘wrong’ orientation for the porcelain but the same as the original paintings; 
    -Jacques Chereau (1688-1776) (publisher) engraved by different artists, circa 1725, ‘right’ orientation for the porcelain; 
    -Nicolas IV de Larmessin IV (1684-1755) circa 1720, ‘right’ orientation; 
    -Antoine Hérisset (1685-1769); 
    -Nicolas Dauphin de Beauvais (1687-1783) ‘right’ orientation 
    -later engravers including Francesco Barolozzi circa 1796.
    Other prints by Chereau and Larmessin are known on export porcelain.

The Chereau set are the most likely - an example of them is in the NY Met collection: 63.600.4153,  the one of La Terre is inscribed:  I Chereau sculp, others by Edme Jeaurat (Air), Antoine Herisset (Water) and Nicolas de Larmessin (Fire). These are in tondo format and likely copied from the Baudet examples which they reverse.

References: Mezin 2002, p86-9, Nos 67-70, four plates with each of the scenes and illustration of a set of engravings by Nicolas (IV) de Larmessin (1684-1755); Williamson 1970, plate XXXIX, four plates including ‘Earth’ with gilt rim border and plate XXIV a teapot with this design; Howard 1994, p111; Beurdeley 1962, p179; Hervouët & Bruneau 1986, p318-9; Jörg 1989, p174-5; Le Corbeiller 1974, p64-5’ Sargent 2012, p297; Palmer 1976, p71; Howard & Ayers 1978, p323; Gordon1984, No 46; Puglisi, Catherine R. 1999, Franceso Albani, p144, Cat 60, the series, and note of two further engravers: A. Paquier & C. Ferreri;  Scheurleer 1974, No 232, a plate; Pinto de Matos 2011, Vol 2, p228, No 320, a plate and illustration of the de Beauvais print version.

Date:  1750
Period:  18th century, Qianlong period
Origin:  China
Medium: porcelain
Dimensions: 23 cm (9 inches)
Literature: References: Mezin 2002, p86-9, Nos 67-70, four plates with each of the scenes and illustration of a set of engravings by Nicolas (IV) de Larmessin (1684-1755); Williamson 1970, plate XXXIX, four plates including ‘Earth’ with gilt rim border and plate XXIV a teapot with this design; Howard 1994, p111; Beurdeley 1962, p179; Hervouët & Bruneau 1986, p318-9; Jörg 1989, p174-5; Le Corbeiller 1974, p64-5’ Sargent 2012, p297; Palmer 1976, p71; Howard & Ayers 1978, p323; Gordon1984, No 46; Puglisi, Catherine R. 1999, Franceso Albani, p144, Cat 60, the series, and note of two further engravers: A. Paquier & C. Ferreri;  Scheurleer 1974, No 232, a plate; Pinto de Matos 2011, Vol 2, p228, No 320, a plate and illustration of the de Beauvais print version.

Categories: Oriental and Asian Art